The Liberated Voice

Revolutionizing vocal technique with timeless wisdom

How to Hit the High Notes

 

It is not how high you get that matters—it’s how you get high.”
W. Stephen Smith

 

Imagine you’re watching the Olympics on television. It’s time for pole vaulting.

You observe this amazing feat and think, wow, that’s for me! You seek out a coach who is known for training elite pole vaulters, and you schedule a session. You meet up with them at a field that is already set up for pole vaulting. The coach greets you, hands you an enormous pole, points to the distant crossbar, and says, “Okay, show me what you’ve got! Then come back here and I’ll tell you what you did wrong.”

This would never happen, of course.

But it’s really not all that different from what many singers experience in a first voice lesson with a new teacher, even as a complete beginner. You meet up with the teacher at their studio. The teacher greets you, sits down at the piano, invites you to sing a song, and then critiques...

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What Do You Need from Your Voice Teacher?

auditions pedagogy singing Mar 14, 2022
Some years ago I became aware that within our vast and varied constellation of voice teachers, I was regarded as a technique specialist.
 
When I asked a prospective student why they were interested in working with me, they often replied with something like, “I‘ve heard you're great at teaching technique, and I really need to get my technique together,” followed by a caveat along the lines of, “I learned so much from Professor Famoso at Conservatorio Stretto, I‘m incredibly grateful to them! but they didn't really teach technique.”
 
I would think, “if they aren‘t teaching technique, then what the hell are they teaching?”
 
I would also occasionally receive an SOS from a singer currently enrolled in a conservatory program who urgently needed help their Official Voice Teacher was unable to provide: to resolve habitual tongue tension, or even out their registration, or develop the breath coordination to navigate...
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