willpower, n.
The power of a person’s will; control exerted to do something demanding or to restrain one’s impulses.
—Oxford English Dictionary
Happy New Year, readers!
This morning I kicked off 2023 with an hour or so of stretching and self-myofascial release. As I focused my awareness on where I was feeling tight and considered how it might feel good to move, I began to feel deeply grateful—not only for the fitness and anatomy background that enables me to care for myself in this particular way, but also for the fact that I genuinely want to. Exercise isn’t something I have to make myself do—it’s a luxury that has become a daily indulgence.
It wasn’t always like this for me. Growing up, gym class was an ongoing source of trauma, compounded by the bullying I endured for being “chubby” and uncoordinated. By my mid teens I decided I’d had enough. I started living on iceberg lettuce and cottage cheese and...
CW: Animal cruelty
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I was recently reminded of a terrible joke I first heard as a child:
A scientist is performing research on a spider in his lab. He places the spider on a platform and commands, “Jump!”
The spider jumps. The scientist makes a note.
The scientist pulls off one of the spider’s legs, places it back on the platform, and commands, “Jump!”
The spider jumps. The scientist makes a note.
The scientist pulls off another one of the spider’s legs, places it back on the platform, commands “Jump!”… rinse and repeat, until finally the spider is completely legless.
The scientist makes a note: “When you pull off all the spider’s legs, it can no longer hear a damned thing.”
This comes to mind today because I feel that classical voice students often end up the unwitting study subjects of a psychological version of this experiment. Along the education and career paths they...
Soprano Angel Blue
Here’s a story: A young black woman is kidnapped, held hostage, and humiliated. There’s a ray of hope when one of her captors’ employees betrays them in the hope of absconding with her. But he’s caught, and they both die.
This, of course, is the plot of Verdi’s Aida, considered by many to be the grandest of all grand operas. Outsized emotions are what make grand opera grand, so the greater the suffering and hope portrayed, the more cathartic the opera will be for the audience. Beginning with Aida’s premiere, opera companies have traditionally heightened the grandeur of the protagonist’s emotions with the most epic production values imaginable:
At “Aida’s” 1871 world premiere in Cairo, 12 elephants joined a double chorus in the scene welcoming a brave soldier’s return from battle. In Shanghai’s uber-performance of the Verdi classic in 2000, the elephants had even more company: camels,...
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